This part can get be quite confusing, but give it a shot!  In Major keys, the "I" chords are made out of the 1, 3, and 5 scale degrees.  "IV" chords are made of the 4, 6, and 1 scale degrees.  "V" chords are made of the 5, 7, and 2 scale degrees.  Now look at the melody notes (scale degrees) over each chord in the E-Book & see how closely they align.

On the Picking Melodies E-Book, any time you see "8vb" below a scale degree, it means you're using a note an octave below the root.  

Oh! Susanna (in E Major)
Picking Melodies E-Book (page 10)

Melody & Backing Tracks in E Major: use with Picking Melodies Vol. 1!

     See these notes on your instrument:

• Use page 29 of any Complete Edition
  
• Use pages 19-22 of any Essential Edition

Use the bold notes above for the melody.  Focus on how closely the melody notes relate to the notes of each chord as it's being played.

As you're playing the melody, try to hold your hand in the shape of each chord that's currently being played.  You'll use the same moves you make to grab melody notes outside the chord in countless other tunes!

The box below shows which chords are played in each song, the Roman numeral of each chord in this key, and the notes that build each chord.

Learning which chords make up keys, the Roman numerals of the chords, & the notes that make each chord will change the way you play!

All of these melodies are made from notes from this scale:
E Major: E, F#, G#, A, B, C#, D#  (all the notes in white boxes)
(Underlined notes are from the E Major pentatonic scale)

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Camptown Races (in E Major)
Picking Melodies E-Book (page 9)

Frere Jacques (in E Major)
Picking Melodies E-Book (page 4)​

Notice how all 5 melody notes used in this song are underlined- that means that they are notes from the Major pentatonic scale.  Major pentatonic notes are like Golden Retriever dogs- super friendly & they don't offend a lot of people, so they're great scales to know!  Practice this melody in different keys to practice your Major pentatonic scales!

Notice how London Bridge starts on the fifth scale degree.  The song "The Old Gray Mare" starts on a 5 note as well, but it is in the octave below the root, while London Bridge starts on the 5 note that is higher pitched than the root, but in the root's same octave.

This is the only song in this E-Book that is in 3/4 time!  That means that it's a waltz rhythm- 1..2..3..1..2..3, etc.

The bold, black notes and numbers in the diagrams below show which Major scale notes and scale degrees (do, re, mi...) make up each melody. 

Twinkle Twinkle Little Star (in E Major)

Picking Melodies E-Book (page 11)

London Bridge (in E Major)
Picking Melodies E-Book (page 8)

Oh My Darling Clementine (in E Major)
Picking Melodies E-Book (page 7)

The Old Gray Mare (in E Major)
Picking Melodies E-Book (page 6)

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When you're working on learning to pick melodies, this is one of the most important songs to learn!  Hold the "I" (E Major) chord shape, and then see where the melody uses notes that make up the chord (notes you're already h0lding, and where it uses notes outside of the chord. Learn to play this melody over all of the Major chords you play the most!

Mary Had a Little Lamb (in E Major)
Picking Melodies E-Book (page 5)​

This song seems like it should be easy since it's so familiar, but it's pretty "chordy" (has lots of quick chord changes).  Even so, watch how closely the melody aligns with each chord as it's being played.  If you give this lots of practice, you'll be amazed at the muscle memory you're developing, and much better you'll get at figuring out melodies on the fly- your fingers will start "magically" finding the notes!  :-)